I have been searching for an alternative to Alizarin Crimson over the last year or so off and on. Alizarin Crimson is not a permanent pigment. Alizarin Crimson or the pigment PR83 has a lightfastness of III and means at normal exposer light. (gallery, your studio, your home) it will last about 15- 50 years. Not good! if the painting is in sunlight in the summer it will last 2-5 weeks!! the winter sun it will last 2 - 5 months! Many artist have been recommending this pigment for years since 1868! Many artist still use it, like myself and recommend it!. I started using Naphthol Red in most my paintings to get away from Alizarin Crimson, but Naphthol Red or PR112 has a lightfasteness of II. Much better than Alizarin Crimson and will last in normal lighting for 50- 100 years. In summer sun 6–8 weeks and winter sun 5–6 months so a lot better. I tested rose madder PY3 mixed with PR83. So this paint still had the PR-83 Alizarin Crimson pigment in it and has the same lightfasteness of III, so not a good alternative. Over the last few days I have been tested Thio Violet or pigment PR122. It has a lightfastness of 1 so the most permanent! In normal lighting it will last over 100 years and in the summer sun light and winter light it will last about a year and half. Now we know we don't put our paintings in the sun for maybe a few minutes at a time. To take photos ,move them, display them at an art show that might be outside or if the painting is in front of a window. It will start to fade the pigment. So any mixtures that have the PR83 pigment will start to fade. So your dark mountain or trees will start to fade or anything you use with PR83. Now I don't use van dyke brown because of the same reasons. van dyke brown or PBr7 because it has a lightfastness of III, that is why I use Burnt Umber or PBr7 because it has a lightfastness of 1. Hansa yellow that I also use or PY74 has a Lightfasness of II so Cadmium Yellow Light that I also use is better or pigment number PY35:1 that has a lightfastness of 1. Anything past the lightfastness of II should not be used. I will try and not to use Alizarin Crimson if I can and I think the Thio Violet or PR122 will be the best alternative and it is much nicer! You should also stop using it if you can. Here is a photo of the Thio Violet that is on the left, Rose Madder in the middle and Alizarin Crimson on the right. I mixed the same amounts of Titanium White so you can see the color and strength. If you add a small amount of Burnt Umber or PBr7 it will make it like Alizarin Crimson or PR83. So check your paints pigment numbers and see what the lightfastness is. I gave the numbers to the colors because not all manufactures use the same name, but the pigment number never changes or the lightfastness! If the manufacture of paint you use doesn't have the lightfastess you should switch brands! I also have a photo of the back so you can see the lightfastness info. Check your paints! ~Brandon T!
!Over the last few months, we have been getting hundreds of emails about online workshops vs hands-on workshops with an instructor in a classroom. Some people ask about online memberships, DVDs, YouTube videos and online courses. As you know we produce free online videos on YouTube that teach you techniques, tips, and step by step instructions on each project offered. Our videos have helps millions of people all over the world in wet on wet oil painting, but hands-on workshops with a trained instructor are even better. You get help with holding the brush, you see live examples, and the instructor can show you techniques up close. If you're looking for an instructor check out find an instructor page to find one of our trained instructors or click the workshops link to take a class with Brandon. The YouTube videos are great if you can't find an instructor in your area or just want extra help. Brandon's book is also another wonderful way to learn if you want extra help or can't find an instructor. Online memberships can cost hundreds if not thousands of dollars for videos that show you small amount of techniques so you have to buy the next course. You find more techniques on our YouTube channel for free! We recommend finding an instructor in your area if you can because you will learn more faster. Don't listen to the people telling you that live workshops are a waste of money because it's just lies. The same people who are telling you that hands-on workshops are a waste of time and money are selling membership packages. Also, the same people used to have instructors but kicked them to the curb to make more money. Can you say hypocrite? We're here to help you learn this amazing technique and not trying to take your money. That is why we offer free videos and have instructors that will teach you techniques hands-on. In conclusion, You will learn more in live workshops than you will in a full membership or online course. Online classes like our free videos are great if you can't find an instructor in your area or if you want extra help. If you want to learn more faster take a live workshop! Click here to see our trained instructors or click here to take a class with Brandon.
Over the last few years, I have been designing and manufacturing artist tools, equipment, mediums and other supplies for the wet on wet painting technique. Over the last few years, I have always looked at how I can make my supplies the best! that means I am always putting my products to the test to make them better. When I started designing and manufacturing supplies It was for myself and not to sell. I was tired of the supplies on the market and how the price would go up and the quality would go down! I started working with a company in 2009 and over the years I tried my hardest to make the product and the company the best. In 2014 after 5 years. I had enough! No longer was I going to work for a company that didn't respect the customer and the work I was doing to make them better! After a few months of leaving, I started designing supplies for myself because the products that were available were just not working! First I designed my mediums, after several formulas, I hit the nail on the head when I discovered the secret to what makes mediums work! After using the mediums and using them in my workshops, my students wanted the same mediums I was using so I started selling local and then I decided to bring this medium to the worldwide market almost 1 year later. That medium was Amazing White and is still the same formula from 2014 when I mixed up the first jar in my studio. The success of that medium brought many other great mediums that artist love today! The same year of 2014 I started looking into manufacturing my own brush line and working with many manufacturers designing many models of brushes. I went through over 20 different styles of each brush that is in my line today! In today's blog, I want to talk about my 1 and 2-inch landscape brushes. When I first started to work on my large brushes I was working with many manufacturers and these manufacturers never produced a large brush of these sizes. The thickness, length, taper and overall size was a challenge because they only produced smaller artist brushes. Most of our competitors sell hardware brushes and basic stock brushes that were painted or stained and custom stamped with their name and or logo. The problem with this is the taper and balance of the brushes are made to paint flat walls, and not to create textures and other effects we need in our paintings. Also, many of the large brushes today are mixed with synthetic fibers to cut cost. So, if the companies are cutting cost why are they raising the price? easy! most art companies today are powdered by marketers! not artist! and this is a big problem! After 2 years of testing many brushes, I finally got the perfect set! Yes, 2 years!!! After a year of my brushes being on the market, I wanted to jump back into the designing of my brushes. Taking a closer look at how I can possibly make my brushes better! I tested each one and became deeper in love with my brushes. (Yes, an artist can love their tools! I know... weird but we're supposed to be!) Do I need to clear this up still? I didn't take my brushes out to a movie or dinner! Okay now, this is getting too weird! lol!!! Okay, let's get serious now! A few months ago my manufacture called me and said they are looking into a new formula of glue and needed help with the new machine that scans the bristles, fans the bristles and then air fluffs them to remove any extra loose bristles! So we tested this new formula of glue and new machine! The brushes that were created blew me away! Bristles came out a little softer, stronger and the shedding was very little! Now keep in mind this a 100% natural bristle brush with NO synthetic fibers to cut cost or shedding! After the machine and new glue formulation was perfect and dialed in... we did a small run of brushes for me to test in my studio and I was just amazed at how perfect these brushes are! Perfect feel not too soft or firm and the shedding was very little! So with that being said..... I have replaced my 1 and 2-inch landscape brushes with a new and improved version!! If you love the old ones or didn't care for them, I know you will really love the new ones! My old landscape brushes were fantastic but the new ones are just beyond perfect! Check them out and my other great brushes here: http://brandonthomasartsupply.com/Brushes-_c_1.html
Everyday folks are looking into art programs so they can start a business teaching classes. Many companies today offer a teacher program that cost hundreds if not thousands of dollars! Today I will go over my BTAI ( Brandon Thomas Associate Instructor Certificate) The BTAI certificate is $100 and you get many benefits! Click here for more info on the BTAI certificate.
This program is perfect for a wet on wet oil painter who has experience in this painting method! This program doesn't offer training like the BTCI program. For more info on the BTCI program click here. No other company supports their instructors like Brandon Thomas Art! Join our team and start the business of your dreams!
In the past, we talked about, how to paint mountains. Mountains are the biggest topic for any wet-on-wet landscape painter and many people to teach it. But we get thousands of emails every day, people asking for help. We wonder why they have these problems and we get the main reason from asking questions back. The biggest problem we have found is the medium they use. You may ask. why does the medium matter? your medium is the foundation of your painting and at that point controls everything. If your house was built on a weak foundation, your house would have never been finished! So what medium should I use? you need to stay away from pigment mediums that are "solvent" free. Solvent free means it's just oil and pigment. To make the medium fluid it needs a lot of oil. This creates a slick surface that will make it next to impossible to break paint. Such as highlighting mountains, rocks, adding clouds and highlighting foliage. Because your foundation is slick, you will make mud!! Brandon developed his signature pigment mediums ( Amazing White and Amazing Black) He discovered the secrets of what makes a premium medium! and the art companies today who are run by marketers will never discover the secret because they are not a true artist. Years ago the mediums on the market worked great! but something happened. Marketers have seen that folks want NON-TOXIC products and oil painting is full of toxic products. So what does the marketer do? they just add more oil and remove the solvent. BINGO! why didn't the artist back in the 70's think of that, when he created the original pigment medium? because it will NOT work for this technique, It's too slick! OK don't get us wrong non-toxic products are great and if it can be made non-toxic we will find a way to do it. And we did! our pigment mediums are made Non-Toxic and have been since 2015 when Brandon first developed his products. Yes, it's not eatable because of the solvent we use. But the solvent is non-toxic for the use. Meaning the fumes will not hurt you. Our solvent is natural and environmentally friendly and work like a charm! So when they claim that our mediums are a clone or knock off! let us be clear our mediums has been on the market long before theirs. They just put a name on the container that has been around for years. Don't let the name fool you! If you are tired of your paint not breaking switch to our mediums! click here if you found this information to be helpful click like, share so others can get the right info and leave a comment. :)
We get this question often. How do you paint a rainbow? Rainbows are probably one of the more easy things you can add to a painting to take an average painting and make it pop! so here is all you need to do. Let the painting dry, once the painting is dry you can add in your rainbow. The only tool you need is a fan brush. You can find high quality fan brushes here: http://brandonthomasartsupply.com/Brushes-_c_1.html next the colors you need are Prussian blue, Hansa or Cadmium Yellow light and Naphthol red or Cadmium red medium. Start by adding a tiny amount of yellow to your fan brush (just stain the bristles) and the dry brush your ark in. Rainbows are translucent menaing you can see through them. So dry brushing you will be able to see the texture and colors behind the rainbow. once you add the yellow go to the red, then the blue. And that's all it is! easy as clicking like at the bottom of this post :) if you liked this tip please share it with your friends! also here is a video on how to paint a rainbow.
Have you ever wanted to learn the basics of color mixing? starting with just the primary colors, Blue, Red and Yellow? Some folks think primary color mixing is too hard to learn. But it is very easy! We've had thousands of folks contact us to start a primary colors art program, but we think this information should be FREE! so we are going to start an online painting program for FREE using the primary colors + white. No need to signup for any membership or go through loopholes to get basic information! So here is what the program will cover!
1. 5 paintings using the primary colors.
2. Color mixing tutorial.
3. Color charts.
4. Guide to what you need.
5.Getting started tutorial.
6. Certificate of completion.
The program will be available soon so keep an eye out! If you want more information about this program, make sure to like our Facebook page and signup for our email list. We hope you take up this awesome opportunity!
Many of our beloved students from around the world contact us every day about the different techniques, supplies and instructional materials. As you know here at Brandon Thomas Art we have a great library of videos, helpful tips along with many groups where you can find help and our professional artist materials. When folks have questions we usually send folks over to a one of Brandon's videos or Brandon will answer the question himself on the phone or email. Brandon wants everyone who contacts Brandon Thomas Art to get the right information and no jazz in the middle. Brandon is a professional artist, author, and instructor. Brandon has real information that will take anyone from beginner to a wet-on-wet painting master! Brandon and the Brandon Thomas Art team is fully committed to YOU even if you buy nothing from us! why? because we're here to teach YOU what YOU want to learn. We're not here for the money and that's the biggest reason we are attacked daily from almost every company who sells wet-on-wet painting supplies because we're here for YOU not your wallet and that's what we've been doing since 2008 and that will never change! Now like we said we get thousands of students contacting us every day and unfortunately they have been bitten by the marketer monster!!! they call or write that "my mountains aren't breaking" "my painting is muddy" "my highlights won't stick" "why is my medium so oily" etc....... We get so many of these question. why? because the marketer monster is spreading wrong information along with designing supplies for people to use. Now that seems very odd, right? why is this person writing information and creating materials when he has no clue about the medium or the technique? That's like going to the dentist who has no teeth! So why are people taking his information and running with it? that's because he works for a company who use to be very respected in the wet-on-wet painting world and they call him a master artist or... he calls himself a master artist and at the same time tells these same folks that YouTube is the worst place to learn and YouTube artist will waste your time. Unfortunately for him, YouTube is the best place to learn and it cost you nothing! You get more information faster and from many different people and with one click of the mouse! You can learn to paint from thousands of different great artist or learn to cook, work on your car and so many other things from many people who have real world experience. So why would someone NOT go to YouTube and why would he say such nasty things about YouTube and painting shows on YouTube? because he wants you to spend thousands of dollars on his memberships, DVDs, and supplies. He could care less if you actually was able to paint a blue sky, he just wants your hard earned money. We warn folks to stay away from that negative marketer monster because he will bite and when he does you and your wallet will feel it! So join the millions of people getting the right information the first time without the negative drama of a marketer worrying about his next dollar! We hope you contact us today and start learning from a real artist!
So this question keeps coming up. " Do you want to become the best artist you can be?" or the phrase "becoming the best" what does this question and phrase mean to you? As I read these articles from another company, I can clearly see they are trying run a smear campaign. Trying to degrade other artist and instructors, some that has come right out of their own company. All for that "almighty" buck! Trying to push a "membership" or "art" course, that can cost you hundreds if not thousands of dollars the time you pay for the program, supplies and what other items they can push on you, before you even get ANY instructional materials. They call YouTube artist "amateurs" and "rookies" they even go on to talk down to folks that are in Facebook painting groups and again the word "amateurs" come up. Here is a quote from there article.
"It is interesting to see how many different painting groups are on Facebook. What is even more interesting is that the same people sign up for many groups. They seem to spend more time poking around when they could be painting. Amateurs make up most of these groups. Those groups aren’t a source of advice. Most groups just post pleasant pictures. Comments like “Wow!”, “Impressive!”, and “Awesome!” don’t help you learn to paint!"
Now the person writing these articles isn't even an artist. He is simply a "marketeer" (marketer)so what is a "marketeer" well according to merriam-webster.com a marketeer is-
Brandon Thomas Seascape Workshop
Hey everyone! today I want to talk about my workshop coming up on August 27th from 11 am - 4 pm this workshop is an advanced seascape workshop. In this workshop I will teach you how to take a simple foam pattern you already know and turn it into a more realistic foam pattern. I will also show you advanced techniques in laying in your waves and crashing on rocks. And how to layer your sky without making mud! This is an advanced class but anyone can join. The supplies you will need are simple a 11 x 14 canvas . The reason I am using this size of canvas. Is so I can teach a more advanced painting in a shorter amount of time. This way you will learn more techniques without rushing to finish . You will also need a tabletop easel. I recommend a tabletop easel with a canvas mount on top. This way when you leave the workshop your painting wont get damaged in your travels back home. All other supplies will be in the classroom for you to use! The workshop will be a great time and I can't wait to get back in the classroom and meet many of you! I hope you signup for the workshop I know you wont regret it!
- Brandon T!
Brandon Thomas Art team.